Bailar

Rubén González: The Piano of Cuba

One of the architects of modern Cuban piano, rediscovered with the Buena Vista Social Club

Pioneers2 min read2 citations

When the Buena Vista Social Club introduced the world to a frail, elderly Cuban pianist named Rubén González, listeners heard something extraordinary — and what they were hearing was one of the architects of modern Cuban piano, returned to the stage after years of silence.[1]

A conservatory prodigy

Rubén González Fontanills was born on 26 May 1919 in Santa Clara, Cuba.[1] He took up the piano at seven and graduated from the Cienfuegos Conservatory at fifteen, a thoroughly trained musician who would spend his life applying that craft to Cuban dance music.[1]

Forging the modern Cuban piano

Together with the pianists Lilí Martínez and Peruchín, González is credited with having "forged the style of modern Cuban piano playing in the 1940s" — the percussive, montuno-driven, harmonically rich approach that powers the son and the mambo, and that defined the role of the piano in the Cuban dance bands of that decade.[1][2] From the 1940s until his retirement in the 1980s he played with a who's-who of Cuban music, including Arsenio Rodríguez, Paulina Álvarez, the Orquesta Riverside, and the cha-cha-chá creator Enrique Jorrín.[1][2]

Rediscovery and triumph

By the 1990s González had retired and, lacking even a piano of his own, had largely stopped playing.[1] Then, in 1996, producers gathering musicians for the Afro-Cuban All Stars and the Buena Vista Social Club brought him back into the studio — and he played with such verve that he became one of the project's revelations, recording acclaimed solo albums and touring internationally until 2002.[1] He died in Havana on 8 December 2003.[1]

Why he matters

Rubén González matters because he was both a founder and a survivor of Cuban music's golden age. The piano style he helped create in the 1940s underlies the son, the mambo, and salsa itself; his late-life rediscovery alongside Ibrahim Ferrer and Omara Portuondo let the world finally hear a master who had been there all along. Few pianists have ever swung with such effortless, joyful authority.

References

  1. 1.Rubén González (pianist)Wikipedia, 2026
  2. 2.Cuba and Its Music: From the First Drums to the MamboNed Sublette, Chicago Review Press, 2004

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Rubén González: The Piano of Cuba. Bailar Biblioteca. Retrieved June 17, 2026, from https://bailar.site/biblioteca/encyclopedia/son-cubano/pioneers/ruben-gonzalez

MLA

Bailar Editorial Team. “Rubén González: The Piano of Cuba.” Bailar Biblioteca, 2026, bailar.site/biblioteca/encyclopedia/son-cubano/pioneers/ruben-gonzalez. Accessed 17 June 2026.

Chicago

Bailar Editorial Team. “Rubén González: The Piano of Cuba.” Bailar Biblioteca. Accessed June 17, 2026. https://bailar.site/biblioteca/encyclopedia/son-cubano/pioneers/ruben-gonzalez.

BibTeX

@misc{bailar-son-cubano-ruben-gonzalez, author = {{Bailar Editorial Team}}, title = {{Rubén González: The Piano of Cuba}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://bailar.site/biblioteca/encyclopedia/son-cubano/pioneers/ruben-gonzalez}, note = {Accessed: 2026-06-17} }

Editor-in-Chief: Paul Thomas Plawin

How we research & review these articles