Adiós con la hermana

Cuban casino partner figure

SalsaLevel: Improver1 min read4 citations

See it danced

Video demo

Demonstration tutorial on YouTube.

Adiós con la hermana is an attested Cuban-salsa/casino partner figure, also taught under the name La Prima con la Hermana.[1] The figure begins from a Prima-like entry on the first half of the phrase, then uses a maintained left-to-right connection as the leader and follower travel around one another rather than staying in a fixed slot.[2] In a common On1 casino count, the first measure opens the action on 1-2-3; on 5 the leader raises the joined left arm and breaks back while the follower mirrors with a back break on her right, then both continue forward under or around the raised connection on 6-7.[3] The rotational budget is staged rather than whipped: the opening Prima creates roughly a quarter turn, the under-arm walk adds another quarter to half turn, and the Enchufla-like exit or Dile Que No completes the re-facing relationship.[4] The move is primarily a couple figure but is also adaptable to Rueda de Casino calling, where the same casino vocabulary can be coordinated among multiple couples.[2]

How it's danced

Lead and follow cues

CountOn1 casino count: 1-2-3, 5-6-7. The two-measure phrase has one break action per measure: leader breaks back left on 1 and 5; follower mirrors with right-foot back breaks on 1 and 5. The figure is staged as Prima on 1-2-3, raised-arm walking action on 5-6-7, then an Enchufla-like or Dile Que No resolution as taught in the local sequence.

Lead

On1 casino phrasing: on 1-2-3 the leader initiates Prima, breaking back on the left on 1 and opening the couple about a quarter turn while keeping a usable left-hand connection. On 5 the leader raises the left arm and breaks back again, away from the follower, then walks forward on 6-7 under or around the joined arm, allowing the couple to rotate progressively and re-face for an Enchufla-like exchange or Dile Que No resolution.

Follow

On1 casino phrasing: on 1-2-3 the follower mirrors the Prima entry, breaking back on the right on 1 and allowing the connection to open the shared frame about a quarter turn. On 5 she breaks back on the right as the leader raises the connected hand, then walks forward on 6-7 around the leader's pathway, continuing the staged rotation until the couple can re-face for the Enchufla-like exchange or Dile Que No resolution.

Song timingBest at moderate casino social tempos, roughly 150-185 bpm, where the walking rotation can stay grounded and unhurried. At 190 bpm and above, the figure is possible but the raised-arm pathway and exit must be compact.

Learn first

Prerequisites

  • Casino basic step.
  • Prima.
  • Enchufla.
  • Dile Que No.
  • Comfort maintaining a single-hand connection while walking around a partner.

Watch out

Common mistakes

  • Treating the figure as a linear slot pattern rather than a Cuban casino walking rotation.
  • Sending the follower forward on count 1 instead of letting both partners mirror a back break from their own body perspective.
  • Dropping the left-hand connection before the 5-6-7 walking action has organized the couple's path.
  • Compressing the staged rotation into one late whip instead of opening through Prima, continuing under the arm, and then re-facing in the exit.
  • Stopping short of the Enchufla-like exchange or Dile Que No so the couple does not finish oriented to continue dancing.

Don't confuse with

Easily confused moves

  • Cross-body lead: a linear LA/NY slot exchange, not the circular casino pathway used here.
  • Dile Que No alone: a common casino resolution, but not the whole Adiós con la hermana figure.
  • Enchufla alone: related exit vocabulary, but Adiós con la hermana includes the Prima-based lead-in and walking action.
  • Paso cruzado or cruzado: footwork terms, not established names for this figure.

Around the world

Other names

  • Cuban casino / international Cuban-salsa teaching

    Adiós con la hermana

    Primary attested name in the available sources.

  • Cuban casino / international Cuban-salsa teaching

    La Prima con la Hermana

    Attested alternate name; emphasizes the Prima entry.

  • Rueda de Casino

    Adiós con la hermana

    Used as the casino call when the couple figure is adapted into rueda contexts.

  • Miami casino scene

    Adiós con la hermana

    Listed under the broader Cuban casino naming convention; no separate Miami-only name is supported by the available sources.

References

The bracketed numbers in the text show which source each fact comes from. Tap or click one to jump to that source in this list.

  1. 1.dancepapi.com
  2. 2.salsayo.com
  3. 3.salsayo.com
  4. 4.dailymotion.com

How to cite this article

Choose a style and copy the citation.

APA

Bailar Editorial Team. (2026). Adiós con la hermana. Bailar Biblioteca. Retrieved October 13, 2026, from https://getbailar.com/biblioteca/move/salsa-adios-con-la-hermana

MLA

Bailar Editorial Team. “Adiós con la hermana.” Bailar Biblioteca, 2026, getbailar.com/biblioteca/move/salsa-adios-con-la-hermana. Accessed 13 October 2026.

Chicago

Bailar Editorial Team. “Adiós con la hermana.” Bailar Biblioteca. Accessed October 13, 2026. https://getbailar.com/biblioteca/move/salsa-adios-con-la-hermana.

BibTeX

@misc{bailar-move-salsa-adios-con-la-hermana, author = {{Bailar Editorial Team}}, title = {{Adiós con la hermana}}, year = {2026}, howpublished = {Bailar Biblioteca}, url = {https://getbailar.com/biblioteca/move/salsa-adios-con-la-hermana}, note = {Accessed: 2026-10-13} }

Editor-in-Chief: Paul Thomas Plawin

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